Author Archives: Joe McNally

Profoto B1′s in the Studio


After PhotoShop World, I stayed in Vegas, which is home base for amazing athletes and performers, such as Manu, above. I did more experimentation with the Profoto B1 units, and made some more strides with the Nikon TTL… version of the air remote. I’ll post more material in the next couple of weeks, but the B1 itself has been a wonderful light to play with. I know they are principally designed for location, but we took them into the studio and experimented in a very controlled way. Really enjoying the control of these lights, and the design. Battery life

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That Day Again….


In the aftermath, a long time ago now, at the Giant Polaroid studio on the Lower East Side, Harry Davis, a firefighter with Squad 18, got up on the podium, closed his eyes and cradled his axe like it was a newborn.
It remains a favorite photo, from a difficult time. Today, all over the city and elsewhere, there will be pause. I will stop by Ladder 9/Engine 33, as I always do, and stand to the side as they ring the bells. I remain honored to have met these amazing people, and to have made a few pictures. Because

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A Photographer’s Gift To Their Family


One of the single best things you can do as the resident photographer of your house is give back the gift of your skills to your family. Be the domestic documentarian.…

This is what we can do, as shooters. It is a small thing to give back, considering the preponderance of annoying stuff that goes along with just having a photog in the family. We’re pains in the neck, right? Not to mention absolute hell on relationships. If you’re a wedding shooter, bye-bye weekends. Sports shooter? Ditto. And, if you’re a serious, serious sports shooter, say of football, so long Thanksgiving,

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Congrats to Joe T!


This past weekend, Joe Torre’s #6 was officially retired at Yankee Stadium. He rightly took his place among the pinstriped legends. I worked with Joe a number of times over the years, and he always proved to be an affable subject. I wrote about the above snap in The Moment It Clicks….
I shot it in the aftermath of Frank Torre’s heart transplant surgery, performed by the famous Dr. Mehmet Oz. Frank and Joe were not only brothers, but also one of those rare tandems of siblings who both made it to the big leagues. I was assigned

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Profoto B1–Nikon TTL: Field Test

I recently was fortunate enough to be allowed to play with a beta version of the Profoto Air Remote TTL-N units. That means, in short, the Nikon version of controllers for the already renowned Profoto B1 units. The Canon models have been out for a while, and now the remote for Nikon hits the market on Sept. 15. Hit this link for the complete skinny and specs. …
So, here’s the good news. My first frame shot with the unit was bang on in terms of exposure. (Which I figured was pretty good, as, it being the first time in

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The Sky is the Driver


As I usually mention when teaching flash lighting, the most important light to observe and work with is not represented by that carton of flashes in the trunk of your car. It’s the ambient light level you encounter on location. Even if you go into a coal mine, and there is no light, that lack of ambient illumination becomes the driver for your flash solution. Likewise, outside, on a sunny day, that nuclear blast of photons up in the sky pushes you to light…or not. So, ironically, when you go on location as a “flash photographer.” no matter how many

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