Brian Skerry Wins Photographer’s Photographer Award


The following text is from George Steinmetz’s award presentation:

There is no greater honor than to be recognized by ones peers, especially in a crowd like this. The award is for the photographer who has most inspired us by expanding the possibilities of our medium. This definition is purposely vague, as what inspires is always the unexpected.

The Last Man: On the Moon

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He was a tough guy to track down. I was assigned by ZEIT magazine to photograph the “Last Man on the Moon”… Eugene Cernan was the last man up the ladder to the Lunar Excursion Module in 1972 – Apollo XVII.  It’s hard to imagine now that what would have gone on next  – Apollo XVIII – was cashiered because of money issues.    No man has been anywhere close to the moon since Gene Cernan’s boots left their final mark in that Lunar Dust.  But it was Nixon Term Two: the Vietnam war was still the Vietnam War, and people seemingly had had their fill of Moon Travel.    Cernan had one of those busy lives which ex-astronauts tend to lead, and four years ago when I was given the assignment, to accompany a story by my long time friend and colleague Peter Sartorious (who spent many months at the Cape in the 60s-70s covering the space program), who had warned me that the woman in charge of Gene Cernan’s schedule was a “steel magnolia”(pronounced in about 6 syllables with a heavy German accent…I mean STEEEEEL Magnolia!) The phone call would usually go something like this: Me:  “So, I just need about ten minutes, is there any time in the next couple of weeks that it would work?”  Steel Magnolia: “Mr. Cernan’s schedule is extremely busy…..”     You get the idea.  Well…it’s not what you know, it’s who you know, and in the second month of this back and forth (there was no RUSH for the picture..obviously)  I mentioned to a friend of mine, a philanthropic pal from college who is super interested and involved in aviation and space travel, if he by any chance might know Gene Cernan. It turned out not only was he a good friend, but a week hence, there was a big salute to the Space Program and all the Astronauts (including Soviet pioneer Alexei Leonov) at the Museum of Aviation in Seattle.  Among all the astronauts, John Glenn, who had a previous engagement, was the only big name who couldn’t make it.     So there I turned up a week later, and was introduced to Gene Cernan over a cold beer, and locked in a five minute session the following morning, using the front parking garage wall of the 4 Seasons Hotel as my studio (hey, you take what you can get.)
Once he arrived, en route to a waiting Taxi (I love it when the photo session is during a taxi waiting period…) he was very cool.  You could sense that this was not only a guy who’d been to the moon, but he also had a couple of hundred carrier landings under his belt.  I shot like crazy for my four minutes, trying to catch that edge.  You don’t go to the moon without a little edge in your life.  You just don’t.   I was very sorry to hear he passed away today, at the very young age of 82.  There are only  a half dozen Apollo astronauts left and every day, a little sliver of their knowledge of space travel gets a bit tinier. We’re none the richer for that.   But those guys who rode the rockets: Bravo!!  And the way things are going, it does look as if Gene Cernan will be the Last Man on the Moon for a very long time.    Photograph ©2016 David Burnett/Contact Press Images

Those Natty Ole Reporters

e©2014 David Burnett Contact Press ImagesNEW YORK NYJuly 23, 2014DAVID BURNETT /   contact sheets nd negs1963->

Photographers make photographs for Memory. We want to remember a place, a person, a moment, whether it’s warm, wonderful and uplifting, or something horrible on the other end of the human scale. For while we may not always change many opinions, there is certainly nothing to be gained by the willful disrgarding of history, of the past, or even what happened yesterday. This year has been full of what seemed like “one of…” moments. I was watching TV live the day that Donald Trump said of John McCain that he preferred heroes who hadn’t been captured. At that moment I was convinced that his campaign was over, finished, unable to recover from yet another crazy comment. But, of course, as we all learned, his campaign might have been the called the campaign of “one of’ moments: they just kept coming for the whole 18 months. And each time you would recoil, or laugh in disbelief.

Robert Clark – Evolution


Robert Clark Evolution The word Evolution jumps out at us, it scares and divides us. I see it as something that unites us. Natural Selection is the mechanism that drives evolution, and the evidence is everywhere; it surrounds us. I see it in the beautiful fossils (crinoids on page???) of my youth in Western Kansas, […]

Robert L “Bob” Williams 1923-2016

Paratroopers jump in celebration of the 50th anniversary of D-Day. Near Sainte-Mere-Eglise, Normandy, France, June 5, 1994.

1994 © David BURNETT / CONTACT Press Images

On the eve of the Eve, I received some sad but not unexpected news. Robert L “Bob” Williams, 93, passed away today after a long illness, and a very full life. Bob grew up in Kentucky and Ohio, joined the Army early in WW2, and ended up as a paratrooper with the 101st Airborne Division.

Joel Sartore – Happy New Year


Happy New Year! As 2016 draws to a close we would like to take this opportunity to not only celebrate the Photo Ark’s first decade, but also share our deepest thanks to everyone for supporting us along the way. We started in 2006 with an unlikely first species: a naked mole rat at the Lincoln Children’s […]

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Half a Life Ago….

I guess when you have been doing something for nigh on’ fifty years, there aren’t many weeks that go by without some kind of memory, some anniversary which hops out from the cloudy mess of “today,” and reminds you that there was Life in a previous era.  For the most part, even as an ex-math major I have some disbelieving moments when I try and do the calculations of some thing which has very clearly made a long term impression, but seems impossible to really be “that long ago….”     And so it is that yesterday marked a day which I shall remember for a very long time.  It was the beginning of winter, 1981, in Poland, at a time when Solidarity and its vibrant leader Lech Walesa had created what would be come one of the first  crashes of the Eastern bloc underpinnings.  From small beginnings at the Gdansk shipyard, and building into something which spread across the whole of Poland, the movement itself became one of the “intolerables” which the Soviets, in their role as leader of the Warsaw Pact countries had decided must be put down.  Like Hungary in 1956 and Prague Spring in 1968, Solidarity was a force which came from within, the “effect” which had been borne by the stilting force of the Communist orthodoxy.  A human reaction to a not terribly human stimulus.  It was clear in the fall of ’81 that because of the rise of Solidarity, and the consequent flummoxing of Polish officials, that year-end articles in all the weeklies would look upon this social uprising as something of note.  I was the recipient of another of those “magic phone calls…”   — an out of the blue call from Arnold Drapkin of TIME, who dangled one of those photographic trinkets in front of me.   TIME was putting a team together to cover the next couple of weeks of activity in Poland, and would I join that group.  Those calls which came the first week of December usually meant just one thing: MOY — or as it was then known… (because it was mostly men…)  the Man of The Year.  Then as now it was one of the biggest stories in print journalism, and to most of us, it was pretty clear that Lech Walesa would  be that Man.   As usual I pretended that I had to check my schedule, but internally, from the moment Arnold say “Hi…” I was up and running.  “Yes… ” I said with a mildly diffident conviction.  I mean, really, you never wanna let on that you’re totally psyched to be asked to do that story, do you? Or maybe, just maybe, you do.
Logistics were a bit of an issue.  I had no visa for Poland, and in the early 80s, they were about as easy to come by as an affordable mint Nikon SP on eBay.  We thought of trying the consulate in New York, but after a day decided my chances might be better in Paris.  There, things  were a little more open, slightly less tense than with the Americans.  So off I went to Paris, hoping to snag a visa quickly and head east to Warsaw.  The Polish embassy was just off the Bld Ste Germain, a big imposing, 19th century palace of heavy rock, and I made it there on a Tuesday to apply for my visa, and hope for the best.  It was cold, snowy, and very un-Parisian those few days, and while I did look after the visa process, annoying some chap in the Visa section a couple of times a day, my lasting memory of that waiting time is playing indoor tennis, bundled up, and emitting frosty breaths, with TIME photo  editor Barbara Naglesmith.  She’d lived in Paris for years, understood the ups and downs of difficult visas, and I think she just wanted to get my mind off of the worry.  That was really the point.  You see yourself as a journalist, a photo-fucking-journalist, and the thing you do best is take pictures.  Waiting around in the snowy cold for a visa isn’t exactly the kind of thing you are remembered for.  Of course there were always people who would try and cheer you up, reminding you that spending a few days off the clock in the city of light isn’t such a bad thing, especially on someone else’s dime.  But when you are picture hunting, when you are ready for the story, nothing is more frustrating than being a single sheet of paper away from cranking up your cameras.
Finally, on Thursday afternoon, I heard they had approved the visa, and I was ready to book.  But I still had to convince the consul that if he could just stay open a few more minutes, and let me get there, I  could be on Friday’s morning plane, and not lose another day.  I remember how breathless I was, walking the stairs of the Consulate, and that feeling of great satisfaction as I walked out with my passport in hand.  Then I realized there was little to be joyful about. I’d been on the story 4 or 5 days, and hadn’t taken a single picture yet.  I tried to refocus as I packed my “worldsLargestHalliburtonCase” and took the Lufthansa flight which eventually got me to Warsaw.  The TIME team had already started working the story.  Saturday night there would be a big rally in Gdansk, Walesa speaking.  But my path would be slightly different.  In the morning I would go with Greg Wierzynski, a Polish born, American TIME correspondent, who still had family in the country, to one of his distant cousins’ farm, a couple of hours out of Warsaw.  In the afternoon, another car would take Greg to the rally in Gdansk, and I would head back to Warsaw, and start working Sunday for real.  Everything seemed to be falling in to place.  We made it to the cousin’s farm, I shot like crazy, Greg left, and towards evening I headed back to the city.  It was storming with snow flurries, and as we drove those country roads we kept passing long streams of APC’s and Eastern bloc Jeeps.  I remember thinking, “that’s a LOT of armour…”   followed by “hey, its the Warsaw pact.. that’s what they do!”   Who knew?
Back at the hotel, during this time of privation, even the Intercon had virtually nothing in the cafe after 6 or 7pm.  They closed early so that the staff could get home.  But it meant nothing to eat except a bar of chocolate from the lobby “Hard Currency” store.  You can only eat so much chocolate.   In my room, later, I dumped my film and started making caption envelopes (we still have them!)  About 11:30 I called the UPI office, to speak with my old friend Ruth Gruber, a yank who had worked her way across one Eastern bloc bureau after another for UPI, and was currently in charge of their Poland operation. We chatted a while, and at was exactly midnight, the line went dead. Dead.  I tried hanging up and calling again. No luck.   I gave up, went to bed, and tried sleeping off my nervous energy.
Early the next morning, unaware of what had happened overnight, I rose and wandered into the lobby.  With all the international hacks staying there, the lobby of the hotel was a constant source of rumor, background, and lies, with a few actual facts tossed in as well.  My memory is of the absolutely brobdinagian Danish Radio reporter, a man whose enormous and elongated pear shape was topped with a totally unruly mass of silver hair, racing around the lobby, in the fashion of  a night watch man, yelling “the soldiers have raided Solidarinosc!!!”  It took me a minute to try and fathom what had gone on.  You try not to look to be TOO stupid, but sometimes you just have ask “what in the hell happened last night?”   Walesa had been arrested backstage at the Gdansk rally, was being held by the Army and Poland had been declared to be in a state of Martial Law.  
The shock of the news chilled my bones, but I grabbed my gear and headed to the Solidarity offices.  Hundreds of files and papers were strewn about the place. There had obviously been a major sacking by the authorities, but there was almost no one there but a few other reporters, so I kept moving.  I went to a church, ever mindful that Poland — whose Cardinal was now the Pope in Rome — was a devout Catholic country.  From the church, there were other stops around the city, always trying to be on the alert for some one – a cop or a soldier, who might demand you give them that last roll of film you just shot.  Sunday evening, I found myself back at the cathedral, the faces of the worshippers telling far more than could words.  As the service ended, I wandered back into the street to find a group huddled in the cold, several women holding candles wrapped in paper lanterns.  They didn’t say a thing. They didn’t have to.  That night, that Sunday, was 35 years ago.  It feels like a week ago.  From time to time I remember some little moment of that trip, and they are crystal clear.   
Then there was Sygma photographer Henri Bureau – the man who had once jokingly told me that owing to his propensity to show up just when the shit really hits the fan – that, in his words… when the leaders see me coming —- they tremble.  Henri had gone to Gdansk, made the last pictures of Walesa before his arrest, and was now busy packing his bags to get out of town with his film.  He called me over to where he was packing, his cameras stacked in his fishing bag, his winter boots next to them.  “Have a look…” he said… and I did, looking at the boots and poking my hands inside.  I handed them back to him.  “Ca m’intreresse ce que tu fait…” (“I’m interested by what you’re doing…”)  and then reached over, and pulled the inside bottom of his boot, yielding a dozen rolls of shot film – his Walesa take.  If he wore the boots (this was way before the days of magnetometers & heavy xray machines) all the way home, his film would make it.   I asked if he would carry my film, and he agreed, if I would agree to bring his cameras out.  “Deal,” I said.  I was probably the only photographer to leave Warsaw that week with a full set of both Nikons and Canons, not to mention a couple of M-4s.  
Henri took the night train to Berlin, made it unscathed, though of course this being 1981 and no email, no social media, no internet to speak of…. we had no idea.  He flew on to Paris, and his pictures ran around the world (including TIME.)  We were cut off in Warsaw from what happened  on the outside.  It was said his pictures of that week bought him a house in the French country side.  Yeah, that’s what the photo business used to be like.  My films made it to Paris, then on to New York, and into several pages of that week’s magazine.  But somehow the publishing  never really held up to the combination of exhilaration, fright, anger, and worry which made for those few days of shooting Martial Law.  Chris Niedenthal, the great Polish PFJ was a true friend.  We trouped around the city for a couple of days, looking for something symbolic which could make a picture, but wouldn’t get us arrested.  I remember the gut punch I felt when I’d mistakenly raised a camera in the car, just as we were being passed by a jeep-full of soldiers.  Nothing happened, but it was a reminder that you still had to be cool.  
A few friendships were solidfied that week. Most of us are used to the company of friends and are often good with strangers. We would often run into the same group of 50 photographers,  no matter where you were around the world. But when you find yourself in inhospitable territory, and the job of photographer becomes many times more difficult, it can be very soothing to just have a few pals to have a drink with at the end of the day, before you had to do it all again, tomorrow.  I waited a few more days, snuck all my film out on that same overnight train to Berlin, then flew to Paris, gave someone hopping off the plane Henri’s cameras, and then off to London, where I took my first and only flight on the Concord.  Home in a couple of hours, only to wonder if anyone was taking notice of the pictures — and hopes that they would shed some light on what had happened that week.  Those “2nd week of December” memories come back every year.  You see a date on a calendar, the appointments secretary working on that cramped little desk in the back of your mind, sends a note to the frontal lobe, reminding you that it has only been 35 years – in my case, about half a life – since that week in Warsaw.  Amazingly, in the course of the next year and a half – the summer of 1983 –  as things calmed down, and Pope JPII came back for a 2nd and even more energizing trip to Poland, the Soviets and the Polish hardliners had no idea, their time was slowly coming to an end.  

Sometimes it can be something as prosaic as a phone line being cut.  You just cannot always know what it means, so you grab you camera, and try to figure it the hell out.  When you see the small crowd outside the cathedral, with candle-lanterns trying to shed a bit of light in the oncoming night, make a few frames.  You just never know.   We’re just sayin’… David

Forging Relationships: The Challenges of Long Term Projects

In 1995 I published this piece in Salon about photographing messianic Jewish settlers in the West Bank. At the time, Salon was a pioneer in the world of online journalism. It was one of the first digital media outlets that focused solely on online distribution, so I felt as though I was entering new and unchartered territory for journalism and visual reporting. I had returned many times…

The post Forging Relationships: The Challenges of Long Term Projects appeared first on Ed Kashi.

“Sleeping Cars” Book on

Sleeping Cars

This month, Gerd Ludwig was interviewed by Christoph Stockburger of Der Spiegel Online about his new book “Sleeping Cars” published by Edition Lammerhuber. “Sleeping Cars” will be released in Europe next week and in the US at the beginning of January. Preorder your copy here. In the article, Gerd elaborates on the nuisances of his […]